Friday, December 28, 2007
A tribute to Benazir Bhutto
Thursday, December 27, 2007
Will technology straighten the dogs tail?
Tuesday, December 11, 2007
Movie Review: Yevano Oruvan
But what is different in this movie Yevano Oruvan? It is a perfect battle between human revolution and social reformation. Though it falls under the same genre of movies (social reformation), but the movie clearly elicits out what Gandhiji once said, "Be the change that you want to see in the World". It has been more than 50 years since this message was delivered, but this is the first time the message has manifested in the movie script.
Yevano Oruvan is a story of a lower middle class hero who fights to make both ends meet. He abhors reservation, corruption, extending favors for money and vehemently fights for his fundamental rights while piously adhering to ethics and values. A series of small events brings out the sleeping Tiger in him and he goes rampant questioning authorities and trying to fix the problem overnight. Was he successful in his mission? You must watch the movie for more.
Madhavan graduates from his chocolate and lover boy image into a responsible middle aged man and a father of two. The script accurately brings out the husband-wife struggle that happens in every household with to respect kids, managing finances etc. Women playing workhorse and men playing bread winner in a household, though a cliché were portrayed with care and candidness. The battle between wife and values intensifies and the dichotomy tears him apart. But he decides to stand by his values. But what is the fate of India is the question left for the viewers to decide - Human revolution or social reformation?
Pinning down the subject in a conservative Brahmin colony in Nanganallur makes it very realistic and enjoyable. But there is a flip side to it which I will discuss later. Camera luminously captures the busy and monotonous Chennai lifestyle, its threatening water scarcity and treacherous suburban rail commute. Wow, Chennai metamorphoses from being a sleepy, orthodox city to a busy city under the blanket. Honest portrayal of Chennai.
The script deftly narrates and focuses on struggles of common man - school admissions, private hospitals, never ending water lorry queues, dream of owning a home, fortunes spent on kids’ school tuitions and saving for the rainy days.
Dialogues in the movie were razor sharp and piercing the cerebrum. In the last scene on the train he says, "to get a window seat one will have to lose his life and gives a contented blank smile".
The dialogue he makes looking at the sky addressing the almighty asking him to be relieved from this planet was very touching. Inability of humans and Almighty to fix the virulent virus in the society was brought out with anxiety and concern. Redemption was a ?
Background score was in-sync and un-intrusive with the script and theme.
Choice of actors needs a special mention. Sangeetha brought out the pangs of a struggling mother with dialogues, anxiety and tears.
Astute editing kept audiences intact and engrossed in a movie devoid of songs and comedy.
The sidewalk artist sketches a pictures of Ganesha and there are no takers, but when he sketches Vasudevan's image people generously share their change with him. Does it mean that people have turned aethist? Does it mean that people want instant justice like instant lottery? Does it mean that people beleive in overnight heros more than God? There could have been little more clarity in this depiction.
A few rough edges in the movie could have been trimmed:
1. Why do Brahmins always have to be portrayed as the bellwether when it comes to social reformation? Avoid stero typing of Brahmins. Right from the days of Gentleman, Anniyan the lead character comes from a Brahmin background. Does it mean that other people from other community can't rise up as leaders to question atrocities? Brahmin background failed to help the script and could have avoided.
2. Policemen in the script have been portrayed as corrupt and sloppy individuals, but when it comes to the Assistant Commissioner there seems to be a confusion. He keeps going from one end to another end debating between ethics, morality and reality. Audience were confused and misled with the depiction of this character. The director should have taken a firm stand.
3. The sidewalk artist sketches a pictures of Ganesha and there are no takers, but when he sketches Vasudevan's image people generously share their change with him. Does it mean that people have turned aethist? Does it mean that people want instant justice like instant lottery? Does it mean that people beleive in overnight heros more than God? There could have been little more clarity in this depiction.
When I left the movie hall I was reflecting on a few prevalent practices in India. We have taken bribery as way to get things done – both lawful and unlawful. The word bribe is rephrased as donation, fund raiser to underplay the effect of money. Mutation has removed guilt and ethics from our DNA and we don’t seem to need them anymore. I was ashamed, but I had to recall Darwin "only the fittest survive" other perish like our hero Vasudevan. That which was brushed under the carpet for generations was yet again brought to the table, do we change or ignore is in our hands. Human revolution or social reformation?
Monday, December 10, 2007
Movie Review: Kalloori
One needs a lot of maturity and caution while handling subjects on youth and adolescence because any message communicated wrongly can cripple and degenerate the DNA of an entire generation. Kalloori has proved mettle of our directors in presenting sensitive subjects such as friendship and love in a classy manner without any tinge of flesh, city, and selfishness while successfully driving home the value of friendship and community.
Remember, realism when shown properly doesn’t need any top actors, flashy clothes, Matrix like fight sequence or other marketing gimmicks to attract footfall in theatres. The movie moves elegantly in a time frame of 5 years where friends who schooled together from childhood move into college together. They are not just pedestrian classmates, but they shoulder each others emotional burdens, evince interest in lighting each others life, all with unconditional love and no expectations. Through these rural kids director has shown the difference between love, infatuation and friendship.
1. Kalloori brings Madurai Mannvasanai without any adulteration. For city dwellers the much forgotten rural fragrance was recreated in this movie. The rural setting vitalizes the script in terms of backdrop, dialect, rustic cast, make-up free characters, rural innocence/gullibility, absence of flashy clothes and scuttling city life – Completely engages our senses without reaching the limits of cloying.
2. Realistic screen play, tightly knitted plot tightly makes the script power-packed. There was so much of humanity in the script that made every city soul hungry for love and care and left them psychologically struggling. One could see the contrast characters in the city and in rural. Strong silhouettes of pride, community ahead of self, sensitivity, magnanimity, strong sense of ethics and values gave contrasted city from rural in the script. Do people in the city carry any of these palettes of emotions? I asked myself – where did all these emotions vanish? Am I a machine on a journey to make just money? What happened to the feeling of community and togetherness?
3. Each character in the movie carries unique fragrance and flavor which makes the story fresh, distinct and meaningful. Friendship comes in different shapes and sizes and each of us react differently and different values. The freshness in the cast - Muthu, Adilakshmi, Nagarani, Kamatchi, Shobana, Ramesh, Salma, Kayal, Iyyanar are very natural and don’t carry any baggage from the past.
4. Adilakshmi’s western dance piece received uproar in the theatre, Kayal and Salma’s repressed and orthodox thinking fetched them a lot of boos in the theatre. Comedy was finely kitted in the script – absence of Vadivelu, Vivek made it even more interesting and challenging. The duo in the movie put a great show with just a few stares and few repetitive dialogues. Special mention to Kayal and Muthu for their outstanding performance. The performance of glamour less rustic cast outsmarted the perfect, suave city looking Tamanna. Characters have been sculpted with atmost attention – every heart in the theatre longs to be apart of their group.
5. We have reached a stage in Tamil Cinema where one needs to give points for absence of profanity, horror, and blood shed. Definitely Kalloori scores full in this category.
With all kudos to cast and crew of Kalloori there are a few areas for improvement
1. Camera failed to capture the finer beauty of rural life that goes beyond words.
2. Music failed to carry the rural flavor and a few songs sounded like Church choir – Joshua needs to go on a rural trip to catch the lilting tunes of rural India
3. A tighter editing would have saved us from wiggling in seats.
4. The climax in the movie was handled very differently and not digestible. Though I felt it came abruptly and swiftly, but then I put myself in Director’s shoes and racked my brains to come up with a few options. Why would a director have a build a story with such great pains and finesse to let three of the roses in the bouquet wither? May be sometimes life is incomplete and characters come to an end abruptly. It is better you leave the theatre before the climax, because the climax is brutal and doesn’t seem to fit with the movie. It still would make sense to remove the climax from the movie.
After Kadhal people had raised their expectations on Balaji Shaktivel. He has definitely lived upto it, but he needs to excel this in the future. He knows the art of tying down youth for three hours constantly engaging them in laughter and lighter moments all through the movie. He also made many of them walk wondering where their net of friendship had vanished. May be some of them will look out for their clan on Orkut? Kaloori was definitely a soul searching exercise.
Sunday, December 2, 2007
A vagrant’s sojourn – Part 4 – Badrinath
How hard it is to escape from places. However carefully one goes they hold you - you leave little bits of yourself fluttering on the fences - like rags and shreds of your very life. ~Katherine Mansfield
It was already ten days away from home on the mountains, but I was not homesick. I didn’t seem to miss my mother’s kitchen either. Where is the question of hunger and home when nature fills heart and mind? My vehicle has a few punctures on the hilly terrain, but I relaxed enjoying the wilderness.
It is only when we silent the blaring sounds of our daily existence that we can finally hear the whispers of truth that life reveals to us, as it stands knocking on the doorsteps of our hearts. ~K.T. Jong
My heart got entwined in the snow-covered peaks of Badrinath, ravishing beauty of Alakananda, and impregnable vegetation of Devadaru. I sat on the banks of the river and capturing the enslaving beauty of the mountains in my memory. My memory was not enough, and I went back to pen and paper, but I fell short of words. This is when my camera came to my rescue.
It takes a day to travel from Kedarnath to Badrinath. I reached Rudraprayag in the afternoon and halted at Syalsaur for the night. The cottage was situated in the valley right on the banks of Alakananda. I was surrounded by no houses, it was just mountains and coniferous forest.
A hot shower at the end of the day was really refreshing to the gritty body. That night I was on Mother Nature’s lap and as I looked at the sky I saw a million eyes twinkling at me. It was pitch black and I could not trace my own shadow. Trickling Alakananda, and humming beetles were composing a symphony to go with the visual. The oxygen rich air invigorated my lungs, the machine was operating at zero friction. I hadn’t paid for this experience, but all this came free of cost. Mother gives and seldom takes back.
It seemed to be a necessary ritual that he should prepare himself for sleep by meditating under the solemnity of the night sky... a mysterious transaction between the infinity of the soul and the infinity of the universe. ~Victor Hugo
This was my last leg of the journey there was abundant curiosity to see Neelkant parvat, the invincible peak on the Shivalik ranges. He stands tall with frosty façade. One could find peace and calmness in him.
Two blankets (razai) were not enough to keep my bones warm on the peak. I had to go to bed with my jacket, socks, and monkey cap to stay warm. Neelkant appears golden for a short time during sunrise (between 5.40 am – 6.00 am). I had to wake up early, dress in warm gear to catch this spectacle.
I love to think of nature as an unlimited broadcasting station, through which God speaks to us every hour, if we will only tune in. ~George Washington Carver
Due to lack of power, rooms have no heat nor hot water. One has to get to the hot spring to bath in the morning. The hot spring is right below the temple and 0.5 km walk from the hotel.
For someone like me who has lived in the city for all my life community bathing was really new. My grandmother used to say that they exchanges tales and gossip in the bathing ghat. When I saw the hot water spring and community bathing I remembered my grandma’s tales.
The original temple that was here is said to have been of very great antiquity, dating back to the times when the Vedas were written. It was destroyed by avalanches or by Buddhists. It is said that the image of Badrinath had been thrown into the Alaknanda during the time of the Buddhist era and was later retrieved and reinstalled by Adi Shankara during the following Hindu revival. The present temple is believed to have been established by him. Others say the present temple was built about 400 years ago bye the king of Garhwal. The temple looks modern now with a colorful “Singh Dwara” or the main entrance gate. The idol of Lord Badrivishal is made of black stones haligram. The details are not well defined, perhaps the result of weathering, when thrown in the Naradkund for several years. The Lord is seated in a "padmasana" posture. The temple has various sevas that one can offer to the lord based on his/her affordability.
I couldn’t resist from having a Cola at India’s last tea shop. Due to snow and extreme winter the shops close when the temple town shuts in November and reopens the following year in May. Apart from shops and catering to the need of tourist people have rear cattle and sheep. Women were busy cutting grass on the slopes and the valleys and carrying them back home.
Vyas Gufa cave: Near Mana village, this is a rock cave where Vedavyas is believed to have composed the Mahabharata and the Puranic commentaries.
Bhim Pul: On the other side of Mana village, a massive rock forming a natural bridge lies over the roaring Saraswati River. It presents a spectacular view of water thundering down through the narrow passage under the rock and is believed to have been placed there by Bhim, the second eldest among the five Pandava brothers.
I felt very sad descending the mountains of Badrinath. Due to narrow roads it is one-way traffic from Joshimutt to Badrinath. Vehicles are permitted to ascend and descend at particular time in the day to ensure safe journey.
No man should go through life without once experiencing healthy, even bored solitude in the wilderness, finding himself depending solely on himself and thereby learning his true and hidden strength. ~Jack Kerouac
Joshimutt is the closest town to Badrinath. Joshimath is nestled in the Himalayas at a height of 6150 feet above sea level, enroute to Badrinath from Rishikesh. Joshimutt also happens to be first and only mutt established by Adi Shankara in Northern India. There are temples to Narasimha and Vasudeva, built by Adi Sankaracharya here. Adi Sankara authored Sri Sankara Bhashyam here. Joshimutt is surrounded on three sides by the snow clad Trishul (7250m) in the south, Badri Peaks (7100 m) in the NW, and Kamat (7750m) in the north.
Auli, 16 km from Joshimath is an ideal winter resort run by Garhwal Mandal Vikas Nigam (GMVN). There is a rope car service that runs between Joshimutt and Auli. A 3 km long slope ranging from a height of 2519 to 3049 m is a major attraction. The ride is scenic and one gets to see the peaks of Nandadevi.
My vacation was coming to an end. I was mentally prepared to be back in the noisy city with glaring bill boards, chaotic traffic and monotonous routine. But I knew mountains would always be around and I could come back when life turns insipid.
There is a pleasure in the pathless woods,
Sunday, November 11, 2007
A Vagrant’s Sojourn – Part 3 - Kedarnath
The drive from Gangotri to Kedarnath was very scenic and serene. The vastness of the sky, puffy cloud patches, tall Devadaru trees punctuated on either side, snow covered peaks, mighty rivers rushing through deep gorges and the chilly wind smothering the cold river ensnares our attention and only make us reminiscent Kalidasa’s Kumarasambhava. No other poet like Kalidasa has ever described the might and beauty of Himalayas.
Here is the ariel view of the controversial Tehri Dam built on River Bhagirathi. Towering 855 feet (261 m), the main dam at Tehri is the 8th tallest dam in the world. The dams were engineered by the architect Sufyan Ahmad.
The next place of halt was Uttarkashi. Uttarkashi is the district headquarters is a crowded town. It is also home to several beautiful temples and ashrams. The famous Sivananda Ashram has its headquarters in Uttarkashi and they also run their Yoga training session in their ashram. Situated on the mountain plains, on the banks of river Bhagirathi and Uttarkashi is blessed with a warm temperature. One can find paddy cultivation and step farming on the plains Himalayas.
From Uttarkashi one needs to travel through Deoprayag, Srinagar, Gharsali, Chirbala, Chandrapuri, Agastamuni, to get to Rudraprayag. The longest journey on the mountain is between Uttarkashi and Rudraprayag, which is 260 Kms.
Rudraprayag is a small town nestled at the confluence of rivers Alakananda and Mandakini.
Mandakini flows sluggishly from Kedarnath and Alakananda flows with fervor from Badrinath. The turquoise blue color of Mandakini and slight greenish tinge of Alakananda produces an indescribable brilliant palette of green at the Sangam.
There is a Durgaji Mandir at the confluence. A flight of steps lead you to the nose of the confluence. Majesty of the rivers and the veiled energy that they carry can enliven our mind and soul.
“The longest journey a man must take is the eighteen inches from his head to his heart”
Here is the view of the confluence from the balcony of my room. The energy from the rivers is contagious. It impinges the mind with a potent tranquilizer, harmonizes mind and heart, and shrouds it with calmness and clarity. Is this what they call the journey from head to heart?
Aarthi is performed at the confluence every evening to the chant of sacred hymns, playing of Chenda and symphony orchestrated by both the rivers. This is a treat for the senses. Women have been performing aarthi for the past several generations.
Descending from Gangotri one travels through dense forest, charming valleys, seamlessly overlapping mountains and never ending roads to get to Kedarnath. Since each of the holy shrines is situated on a peak it takes a day to get from one peak to another. From Rudraprayag it takes approximately 6 hrs to reach Gaurikund.
At a distance of 5 kms. from Son Prayag and at a altitude of 1982 mts., Gaurikund is the last bus station on the Kedarnath route. Before proceeding for Kedarnath on foot, people bathe in the hot water spring, visit the Gauri Devi temple and do pithru tharpan at Gauri Kund.
This is the place where Goddess Parvati meditated to attain Lord Shiva. In Hindu mythology, Gauri first tries to attract Shiva with her beauty, but when that fails (since Shiva is the model yogis) she began to carry out ascetic and yogic practices to win him in that way. Local tradition claims that this is the spot where Gauri lived while carrying out these practices, it was here that Shiva finally revealed his love for her, and the pair were married at Triyugi Narayan, which is 10 miles away. One needs to take a local transportation from Gaurikund and roundtrip takes 3 hrs. It is believed that the agni that was lit during the Shiva-Parvati marriage continues to burn today at this place.
One needs to get raincoat to protect against the unpredictable weather and oxygen cylinder before ascending the mountains of Kedarnath. A four hour, 16 kms trek from Gaurikund brings you to Kedarnath. The 16 kms trek takes you 2 kms vertically up to 12 thousand feet above the ground. Rarified air and lack of oxygen makes one easily tired during the climb. One must ascend the mountain with proper winter clothing, if not they are sure to freeze.
Apart from Ponys and palkis today helicopter services are available to Kedarnath. But it is takes away the pleasure of climbing the mountain by foot and enjoying her beauty from every step. The aperture of your eyes, memory in your mind is never enough to capture the beauty of the lofy peaks.
Mandakini trickles aram se from the lofty peaks at Kedarnath.
Kedarnath shrine (one of the 12 Jyotirling temples) is situated in the foothills of the majestic mountain completely blanketed by snow. It is believed that Adi Shankara constructed this temple and it is from here he made is journey to Kailash. Behind the temple is the samadhi mandir of Adi Sankara.
The actual temple is an impressive stone edifice of unknown date. No specific family of pujaris supervises rituals at Kedarnath, which focus around veneration of the stone lingam that rests in the inner sanctum of the temple. Apart from Shiva there are sannadhis for Vishnu, Ganesha, Parvathi, and Panch Pandavas. Even with socks one cannot stand in the outer prakaras of the temple for more than couple of minutes, but the Sanctum sanctorum remains warm and rich in oxygen. No one knows why it is warm inside.
The Shiva Lingam (sign of Shiva) here is a natural rock in the shape of a buffalo’s hump.It is believed that Shiva took the form the Bull went underground to escape from Bheem (one of the Panch Pandavas). While rest of the body was under the ground his hump alone was visible to Bheem. With all might and power he held on to the hump which is worshipped as Shiva at Kedarnath. Rudranath is the place where the bull’s face appeared, Madmaheswar is where his navel is said to have fallen, his arms appeared at Tunganath and his tresses at Kalpeshwar. All the five places are referred to as Panch Kedar.
Sub zero temperature will freeze your bones and frigid air devoid of oxygen makes your lung gasp. The Temple is open from Akshaya Trithiyai in May till Diwali in November. Look at these Sadhus without any protective clothing. Covered with sacred ash, one of the Sadhu is just wearing the Panchakosha (5 sheaths) but not protective gear withstand the biting cold. Has this Sadhu conquered his senses? Has he conquered his mind?
“Once we begin to see travel as an inner journey, it is possible to turn every trip we take into a spiritual practice—a hero’s adventure that enlivens our hearts and enlarges our souls. Travel becomes a spiritual experience for us when we are conscious at every moment that our physical transportation from place to place has a metaphysical counterpart. Understanding that, the road takes us inexorably to an encounter with the ‘stranger’ at the heart of the journey—the transformed self.” –Joseph Dispenza, The Way of the Traveler
Sunday, November 4, 2007
Part 2 – Gangotri
Isn’t that a profound quote to ponder? Hmmm….
After the adventurous to trip to Yamunotri I was all geared for more adventure. My body had got used to the serpentine roads, cold nights, and mind was ready for more excitement after that cliff hanger.
That is what I did driving on the mountains. There were so many scenic spots during the drive, and I stopped every now and then to enjoy the beauty and absorb it all. Every pixel in my brain was busy capturing the images on the mountain. There is nothing but only of silence on the mountains, an enjoyable silence. All that one could hear is the gushing rivers and humming beetles.
She is called Bhagirathi in child hood, the wild and turbulent Himalyan river named after Bhagirath. She originates at Gaumukh from the Gangotri glacier at an elevation of 7,756 m (25,446 ft), in Uttarakhand. She flows for about 700 km (435 mi) before merging with the Alaknanda at an elevation of 465 m (1,526 ft) in the town of Devprayag.
The river downstream from the holy confluence, Sangam, is known as the Ganges. The controversial Tehri dam lies at the confluence of the Bhāgirathi and Bhilangana, near Tehri.
Gangotri - Where flowers bloom as an expression of joy, where walks, picnics and treks lead one to undiscovered stretches of green, grassy land... serving as a perfect invitation to sit down, relax and enjoy the surroundings. A perfect tribute to nature.
Gangotri, close to the source of Ganga (Ganges river) and seat of the goddess Ganga, is one of the four sites in the Char Dham pilgrimage circuit. At an altitude of 3,042 m, a Gorkha Commander, Amar Singh Thapa, constructed the temple in the early 18th century AD.
Right opposite to the Gangaji Mandir stands the lofty peak of Gangotri, the origin of Bhagirathi. I wanted to get to the peak and peek at her origin. Isn’t life is all about exploration and discovery, mostly of nature and rarely of self?
I have heard about her from puranas, but as always the human mind is curious to know more pristine beauty and secrets. My climb was to see her. She is adorable even in her middle age, carrying a shade turquoise, caressing the plains and readily absolving us of our sins.
And see the rivers how they run Through woods and meads, in shade and sun, Sometimes swift, sometimes slow,-- Wave succeeding wave, they go A various journey to the deep, Like human life to endless sleep! John Dyer
Apart from agriculture, cattle rearing and farming, the mountains also offer other kinds of employment, but it is hard physical labor. Elderly tourist and travelers are carried either on mules, palkis, or by pitoos. They all look thin, fit and healthy, unlike the ones in the cities with corpulent tummies, clogged arteries and gasping for breath every few steps.
Sunday, October 28, 2007
A Vagrant's Sojourn - Part 1 - Yamunotri
It has been more than 10 months since my last vacation. My wallet was not fat enough for one, but my mind was tired going through the relentless urban hoops. Vacation to me meant getting away from incessant clamor of mobile phones, relentlessly pouring emails, never ending to-do list, neurotic newspapers and media, and of all the maddening city life and traffic. Phew……
Where do I go and for how long was the question in my mind. The last vacation was along the seashore and this time I wanted an adventurous one and on a different terrain. Through this wandering I wanted to re-establish connect which once existed between man and nature.
My pick was Gharwal (Uttarakhand), a ravishing display of natural beauty. Snow capped peaks punctuated with coniferous vegetation, frigid rivers flowing through the deep ravines, oxygen rich air filled with the aroma from devadaru trees, and silent valleys resonating with the call of wild beetles.
Barkot is a small town situated at 1300 meters above sea level. Surprisingly this small dusty mountain town has a small bank, a post office and even a small market. Though guest houses have no heat, their hospitality and service makes Gharwal Mandal guest houses a comfortable place to retire.
Travel to Yamunotri is not that simple as it sounds. Serpentine roads on the mountains are narrow and treacherous. Mountains often get dislodged and pose a big risk to tourists, but wanderers somehow find a way out.
Here is one such adventure. There was a landslide 5 Kms after Sayanachatti and 5 kms before Janakichatti. The actual trek to Yamuntri begins at Janakichatti, but this landslide brought life to a standstill well before Janakichatti. Some decided to climb the mountain to get to the other side, while most of them decided to go back.
On all fours they balance their weight like a gymnast. He would always take the path of least resistance, who taught him? I marvelled looking at his scientifically engineered brain. Every step that they take defines life and death. I recollected the definition of Horse power and I was able to feel the horse power at work. I was dependent on his brawn and brain.
Snow had already arrived and people were wrapped up in winter clothing. This place is open only 6 months a year due to severe winters.
Here is the picture of the Yamunotri peak taken while I was traveling on the mule.
Of all the peaks on Gharwal, the trek to Yamunotri is the most tedious and grueling. A 0.7 KM ascend and 6 KM trek from Janakichetti brings you to Yamunotri. Yamunotri situated at an elevation of about 3,235 meters was my first destination. Yamunotri in the direction opposite to Gangotri, the road bifurcates from a place called Dharasu, between Rishikesh – Uttarkashi and goes on to Yamunotri. The shrine can also be visited via Mussorie and Barkot.
Standing on the foothills of Yamunotri one can relish the beauty of the clouds blanketing the peak, hear the symphony in the trickling Yamuna.
Suryakund is the steaming hot spring at Yamunotri. People use this kund to make their meal, an energy efficient eco friendly cooking opportunity. Rice and Aloo wrapped in a towel is lowered into the kund where the temperature of the spring remains at 95 deg C and serves as a pressure cooker. The cook cycle is just 20 minutes. The cooked rice and aloo is offered it to Mother Yamuna before distributed as prashad to devotees.
There are no cottages at Yamunotri and one has trek back 6kms and halt at Janakichatti, foothills of Yamunotri for the night. Room heaters and electricity are a luxury. One has to seek refuge under multiple blankets with the complete winter wear to keep warm for the night.
If you are wondering whom I spent the cold nights with……
The traveler was active; he went strenuously in search of people, of adventure, of experience. The tourist is passive; he expects interesting things to happen to him. He goes "sight-seeing." ~Daniel J. Boorstin